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The 2017 National Book Critics Circle (NBCC) Finalist,International Bestseller, and a Kirkus Best Nonfiction Book of 2017! "Marsh has retired, which means he's taking a thorough inventory of his life. His reflections and recollections make Admissions an even more introspective memoir than his first, if such a thing is possible." —The New York Times "Consistently entertaining...Honesty is abundantly apparent here—a quality as rare and commendable in elite surgeons as one suspects it is in memoirists." —The Guardian "Disarmingly frank storytelling...his reflections on death and dying equal those in Atul Gawande's excellent Being Mortal." —The Economist Henry Marsh has spent a lifetime operating on the surgical frontline. There have been exhilarating highs and devastating lows, but his love for the practice of neurosurgery has never wavered. Following the publication of his celebrated New York Times bestseller Do No Harm, Marsh retired from his full-time job in England to work pro bono in Ukraine and Nepal. In Admissions he describes the difficulties of working in these troubled, impoverished countries and the further insights it has given him into the practice of medicine. Marsh also faces up to the burden of responsibility that can come with trying to reduce human suffering. Unearthing memories of his early days as a medical student, and the experiences that shaped him as a young surgeon, he explores the difficulties of a profession that deals in probabilities rather than certainties, and where the overwhelming urge to prolong life can come at a tragic cost for patients and those who love them. Reflecting on what forty years of handling the human brain has taught him, Marsh finds a different purpose in life as he approaches the end of his professional career and a fresh understanding of what matters to us all in the end.
The 2017 National Book Critics Circle (NBCC) Finalist,International Bestseller, and a Kirkus Best Nonfiction Book of 2017! "Marsh has retired, which means he's taking a thorough inventory of his life. His reflections and recollections make Admissions an even more introspective memoir than his first, if such a thing is possible." —The New York Times "Consistently entertaining...Honesty is abundantly apparent here—a quality as rare and commendable in elite surgeons as one suspects it is in memoirists." —The Guardian "Disarmingly frank storytelling...his reflections on death and dying equal those in Atul Gawande's excellent Being Mortal." —The Economist Henry Marsh has spent a lifetime operating on the surgical frontline. There have been exhilarating highs and devastating lows, but his love for the practice of neurosurgery has never wavered. Following the publication of his celebrated New York Times bestseller Do No Harm, Marsh retired from his full-time job in England to work pro bono in Ukraine and Nepal. In Admissions he describes the difficulties of working in these troubled, impoverished countries and the further insights it has given him into the practice of medicine. Marsh also faces up to the burden of responsibility that can come with trying to reduce human suffering. Unearthing memories of his early days as a medical student, and the experiences that shaped him as a young surgeon, he explores the difficulties of a profession that deals in probabilities rather than certainties, and where the overwhelming urge to prolong life can come at a tragic cost for patients and those who love them. Reflecting on what forty years of handling the human brain has taught him, Marsh finds a different purpose in life as he approaches the end of his professional career and a fresh understanding of what matters to us all in the end.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
HENRY MARSH studied medicine at the Royal Free Hospital in London, became a Fellow of the Royal College of Surgeons in 1984 and was appointed Consultant Neurosurgeon at Atkinson Morley's/St George's Hospital in London in 1987. He is the author of the New York Times bestselling memoir Do No Harm and NBCC finalist Admissions, and has been the subject of two documentary films, Your Life in Their Hands, which won the Royal Television Society Gold Medal, and The English Surgeon, which won an Emmy. He was made a CBE in 2010. He is married to the anthropologist Kate Fox, and lives in London and Oxford.
Reviews-
June 1, 2017
Author of the New York Times best-selling memoir Do No Harm and subject of two award-winning television documentaries, Marsh recently retired from his post at a London hospital and now travels to remote hospitals worldwide to offer his services as both surgeon and teacher.
Copyright 2017 Library Journal, LLC Used with permission.
Starred review from July 15, 2017 A retired British neurosurgeon delivers the follow-up to his well-received debut memoir, Do No Harm: Stories of Life, Death, and Brain Surgery (2015).The author's first book received rave reviews and sold well. While follow-ups to exceptional first books have a spotty record, readers who open Marsh's sophomore effort will quickly realize that they are in the hands of a master. Now retired, Marsh looks back over his life and career but mostly recounts his volunteer work in Nepal and Ukraine, extremely poor nations with abysmal medical care. He meticulously describes his successes but, as usual, feels more distress at failures. Ironically, these occur too often because the patients in these countries often believe that doctors can work miracles, so they often insist on surgery even after a careful explanation that it's unlikely to help. Operating on a cerebral hemorrhage or incurable brain tumor regularly converts a quick death to a slow, miserable one. American readers will note that this belies Marsh's statement that "only in America have I seen so much treatment devoted to so many people with such little chance of making a useful recovery." They will also learn of his admiration for American surgeons and his opinion--widely shared--that because they are paid each time they operate, they do so too often. In all his travels, the only nation where the subject of payment has never arisen is Britain. Marsh justifiably rages against elected officials who could eliminate the National Health Service's most desperate need, money, by raising taxes but don't because it might endanger their chances of re-election. Another thoughtful, painful, utterly fascinating mixture of nut-and-bolts brain surgery with a compassionate, workaholic surgeon's view of medicine around the world and his own limitations. Readers will hope that a third volume is in the works.
COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.
The New Yorker
"It feels like a privilege to spend time with Marsh, an exemplary person with lambent emotions whose fearsome skills and hidden fears are a reminder of how exultant, sad, ardent, and swift life really is."
The Sunday Times
"Sensational ... Marsh is curmudgeonly, unflinching, clinical, competitive, often contemptuous and consistently curious. In Admissions he scrubs up just as well the second time around and continues to revel in his joyous candour."
Tim Adams, Observer
"Marsh is, given his profession, a surprisingly emotional man, likably so. His account of his younger self that threads through this compulsive book is a Bildungsroman in itself. He is also a fine writer and storyteller, and a nuanced observer."
Melanie Reid, The Times
"Do No Harm, candid and tender, was one of the most powerful books written by a doctor ... His follow-up book does not disappoint. The maverick is back, even more blunt and irascible, with tales of thrilling, high-wire operations at medicine's unconquered frontier, woven through with personal memoir ... Marsh in full spate is quite magnificent . . . a master of tar-black, deadpan humour."
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