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SOON TO BE A NETFLIX ORIGINAL INSTANT NEW YORK TIMES BESTSELLER
Reminiscent of a classic whodunit, this "pulse-quickening" (Oprah Daily) instant New York Times and USA TODAY bestseller follows a journalist searching for a missing woman on a cruise ship—a woman that everyone else insists doesn't exist. Travel magazine writer Lo Blacklock has just been given the assignment of a lifetime: one week on a luxury cruise with only a handful of cabins. The sky is clear, the waters calm, and the elite guests jovial as the exclusive cruise ship, the Aurora, begins her voyage in the picturesque North Sea.
At first, Lo's voyage is perfect, with a plush cabin, elegant dinner parties, and plenty of relaxation. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a dark and terrifying nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for—and so, the ship sails on as if nothing has happened, despite Lo's desperate attempts to convey that something has gone terribly, terribly wrong...
With surprising twists, spine-tingling turns, and a setting that proves as uncomfortably claustrophobic as it is eerily beautiful, Ruth Ware offers up a taut and intense read in The Woman in Cabin 10—proving, once again, her place as "the Agatha Christie of [her] generation" (The Washington Post).
SOON TO BE A NETFLIX ORIGINAL INSTANT NEW YORK TIMES BESTSELLER
Reminiscent of a classic whodunit, this "pulse-quickening" (Oprah Daily) instant New York Times and USA TODAY bestseller follows a journalist searching for a missing woman on a cruise ship—a woman that everyone else insists doesn't exist. Travel magazine writer Lo Blacklock has just been given the assignment of a lifetime: one week on a luxury cruise with only a handful of cabins. The sky is clear, the waters calm, and the elite guests jovial as the exclusive cruise ship, the Aurora, begins her voyage in the picturesque North Sea.
At first, Lo's voyage is perfect, with a plush cabin, elegant dinner parties, and plenty of relaxation. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a dark and terrifying nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for—and so, the ship sails on as if nothing has happened, despite Lo's desperate attempts to convey that something has gone terribly, terribly wrong...
With surprising twists, spine-tingling turns, and a setting that proves as uncomfortably claustrophobic as it is eerily beautiful, Ruth Ware offers up a taut and intense read in The Woman in Cabin 10—proving, once again, her place as "the Agatha Christie of [her] generation" (The Washington Post).
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Ruth Ware worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer before settling down as a full-time writer. She now lives with her family in Sussex, on the south coast of England. She is the #1 New York Times and Globe and Mail (Toronto) bestselling author of In a Dark, Dark Wood; The Woman in Cabin 10; The Lying Game; The Death of Mrs. Westaway; The Turn of the Key; One by One; The It Girl; Zero Days; One Perfect Couple; and The Woman in Suite 11. Visit her at RuthWare.com or follow her on socials @RuthWareWriter.
Reviews-
May 9, 2016 In Ware’s underwhelming sophomore mystery (after 2015’s In a Dark, Dark Wood), Laura “Lo” Blacklock thinks stepping in for her pregnant boss for a week-long jaunt on the new miniature cruise ship Aurora will give her a leg up at Velocity, the magazine where she’s toiled for years. A break-in at her London flat days before her departure does little more than set up Lo as an easily startled protagonist. Everything on the Aurora is sparkly and decadent, from the chandeliers to the wealthy guests, most of whom are either fellow travel writers or investors brought on by owner Lord Richard Bullmer, but Lo is distracted from the scenery—the ship is headed for a tour of the Norwegian fjords—by her certainty that she heard the unmistakable sound of a body hitting the water from the adjacent cabin. No one, unsurprisingly, believes her, or buys her story of a mysterious woman she saw lurking on the ship hours earlier. Those expecting a Christie-style locked-room mystery at sea will be disappointed. Agent: Eve White, Eve White Literary (U.K.).
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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Lo Blacklock is a travel writer who gets the opportunity to cover the maiden voyage of a small cruise ship, the AURORA. Imogen Church narrates Lo's story at a smooth, relaxed pace, giving warmth and charm to the character. The mystery is cleverly plotted, and listeners will question every event. Did Lo really hear a body being dropped overboard, or had she had so many cocktails that she imagined it? Church's powerful yet understated narration perfectly captures Lo's desperate emotional state when no one believes her and what she considers to be proof disappears from her cabin. Through her effective use of tone, Church maintains an atmosphere of ambiguity and subtle paranoia. S.C.A. Winner of AudioFIle Earphones Award © AudioFile 2016, Portland, Maine
