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Genuine Fraud
Cover of Genuine Fraud
Genuine Fraud
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"A brilliant, twisty thriller—I loved it!" KAREN M. MCMANUS, bestselling author of One of Us is Lying
From the author of We Were Liars, which John Green called "utterly unforgettable," comes a mind-bending, New York Times bestselling thriller told in reverse.


"Compulsively readable." —Entertainment Weekly

"An addictive and shocking feminist thriller." —Lena Dunham
Imogen lives at the Playa Grande Resort in Cabo San Lucas, Mexico. She spends her days working out in the hotel gym and telling other guests how she was forced out of Stanford.
But Imogen isn't really Imogen. She's Jule. And she's on the run from something. Or someone. Which means . . . where is the real Imogen?
Rewind: Jule and Imogen are the closest of friends. Obsessed with each other, even. Imogen is an orphan, an heiress; she and Jule spend a summer together in a house on Martha's Vineyard, sharing secrets they'd never reveal to another soul.
But that was months ago. Where is Immie now? And why is Jule using her name?
 
"You will devour it." —Gayle Forman, bestselling author of If I Stay
Fans of E. Lockhart’s We Were Liars will love this . . . and definitely won’t see the ending coming.”  —HelloGiggles Online
 
“Tangled secrets, diabolical lies and, ultimately, a mind-blowing outcome are crafted with the plotted precision we expect (and love!) from E. Lockhart.” —Justine Magazine
 
“Moves at a breakneck speed.”Marie Claire
 
“As with E. Lockhart's previous novel, the best-selling "We Were Liars," [readers] will likely finish the last page and flip right back to the beginning to search for clues they missed.” —Chicago Tribune
Don't miss, Family of Liars, the eagerly anticipated prequel to the New York Times Bestselling phenomenon, We Were Liars. Available in May 2022!
"A brilliant, twisty thriller—I loved it!" KAREN M. MCMANUS, bestselling author of One of Us is Lying
From the author of We Were Liars, which John Green called "utterly unforgettable," comes a mind-bending, New York Times bestselling thriller told in reverse.


"Compulsively readable." —Entertainment Weekly

"An addictive and shocking feminist thriller." —Lena Dunham
Imogen lives at the Playa Grande Resort in Cabo San Lucas, Mexico. She spends her days working out in the hotel gym and telling other guests how she was forced out of Stanford.
But Imogen isn't really Imogen. She's Jule. And she's on the run from something. Or someone. Which means . . . where is the real Imogen?
Rewind: Jule and Imogen are the closest of friends. Obsessed with each other, even. Imogen is an orphan, an heiress; she and Jule spend a summer together in a house on Martha's Vineyard, sharing secrets they'd never reveal to another soul.
But that was months ago. Where is Immie now? And why is Jule using her name?
 
"You will devour it." —Gayle Forman, bestselling author of If I Stay
Fans of E. Lockhart’s We Were Liars will love this . . . and definitely won’t see the ending coming.”  —HelloGiggles Online
 
“Tangled secrets, diabolical lies and, ultimately, a mind-blowing outcome are crafted with the plotted precision we expect (and love!) from E. Lockhart.” —Justine Magazine
 
“Moves at a breakneck speed.”Marie Claire
 
“As with E. Lockhart's previous novel, the best-selling "We Were Liars," [readers] will likely finish the last page and flip right back to the beginning to search for clues they missed.” —Chicago Tribune
Don't miss, Family of Liars, the eagerly anticipated prequel to the New York Times Bestselling phenomenon, We Were Liars. Available in May 2022!
Available formats-
  • OverDrive Read
  • EPUB eBook
Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
    4.7
  • Lexile:
    650
  • Interest Level:
    UG
  • Text Difficulty:
    2 - 3


Excerpts-
  • From the book

    Begin here:
     
     
    Third week in June, 2017
     
    Cabo San Lucas, Mexico
     
     
     
    It was a bloody great hotel.
     
    The minibar in Jule’s room stocked potato chips and four different chocolate bars. The bathtub had bubble jets. There was an endless supply of fat towels and liquid gardenia soap. In the lobby, an elderly gentleman played Gershwin on a grand piano at four each afternoon. You could get hot clay skin treatments, if you didn’t mind strangers touching you. Jule’s skin smelled like chlorine all day.
     
    The Playa Grande Resort in Baja had white curtains, white tile, white carpets, and explosions of lush white flowers. The staff members were nurselike in their white cotton garments. Jule had been alone at the hotel for nearly four weeks now. She was eighteen years old.
     
    This morning, she was running in the Playa Grande gym. She wore custom sea-green shoes with navy laces. She ran without music. She had been doing intervals for nearly an hour when a woman stepped onto the treadmill next to her.
     
    This woman was younger than thirty. Her black hair was in a tight ponytail, slicked with hair spray. She had big arms and a solid torso, light brown skin, and a dusting of powdery blush on her cheeks. Her shoes were down at the heels and spattered with old mud.
     
    No one else was in the gym.
     
    Jule slowed to a walk, figuring to leave in a minute. She liked privacy, and she was pretty much done, anyway.
     
    “You training?” the woman asked. She gestured at Jule’s digital readout. “Like, for a marathon or something?” The accent was Mexican American. She was probably a New Yorker raised in a Spanish-speaking neighborhood.
     
    “I ran track in secondary school. That’s all.” Jule’s own speech was clipped, what the British call BBC English.
     
    The woman gave her a penetrating look. “I like your accent,” she said. “Where you from?”
     
    “London. St. John’s Wood.”
     
    “New York.” The woman pointed to herself.
     
    Jule stepped off the treadmill to stretch her quads.
     
    “I’m here alone,” the woman confided after a moment. “Got in last night. I booked this hotel at the last minute. You been here long?”
     
    “It’s never long enough,” said Jule, “at a place like this.”
     
    “So what do you recommend? At the Playa Grande?”
     
    Jule didn’t often talk to other hotel guests, but she saw no harm in answering. “Go on the snorkel tour,” she said. “I saw a bloody huge moray eel.”
     
    “No kidding. An eel?”
     
    “The guide tempted it with fish guts he had in a plastic milk jug. The eel swam out from the rocks. It must have been eight feet long. Bright green.”
     
    The woman shivered. “I don’t like eels.”
     
    “You could skip it. If you scare easy.”
     
    The woman laughed. “How’s the food? I didn’t eat yet.”
     
    “Get the chocolate cake.”
     
    “For breakfast?”
     
    “Oh, yeah. They’ll bring it to you special, if you ask.”
     
    “Good to know. You traveling alone?”
     
    “Listen, I’m gonna jet,” said Jule, feeling the conversation had turned personal. “Cheerio.” She headed for the...

About the Author-
  • E. Lockhart wrote the New York Times bestseller We Were Liars, which is also available in a deluxe edition. Her other books include Fly on the Wall, Dramarama, The Disreputable History of Frankie Landau-Banks, and the Ruby Oliver Quartet, which includes The Boyfriend List, The Boy Book, The Treasure Map of Boys, and Real Live Boyfriends. Visit her online at emilylockhart.com, and follow @elockhart on Twitter.
Reviews-
  • Publisher's Weekly

    Starred review from June 26, 2017
    Lockhart blends the privileged glamour of We Were Liars with a twisty, backward-running plot that’s slick with cinematic violence. Calling to mind her own The Disreputable History of Frankie Landau-Banks, she offers a shrewd critique of the roles traditionally available to female characters in literature and film. This striking exploration of the nature of identity revolves around the relationship between Jule and Immie, two similar-looking orphans. Jule—a fierce physical fighter and self-taught expert at disguise—will do whatever it takes to escape her bleak past. Wealthy and charismatic Immie, by contrast, wafts pleasantly through life, living on Martha’s Vineyard while taking time off from college. Pushed into Immie’s privileged inner circle via a case of mistaken identity, Jule is swept into an intense friendship—and a series of events that play intentional tribute to Patricia Highsmith’s The Talented Mr. Ripley, among other literary precedents. A bracing pace, a slew of far-flung locations, and a storyline that runs mostly in reverse will keep readers on their toes, never entirely sure of what these girls are responsible for or capable of. Ages 12–up. Agent: Elizabeth Kaplan, Elizabeth Kaplan Agency.

  • Kirkus

    Starred review from June 15, 2017
    Can Jule recognize her own true self within the tangled story of the past year? Jule West Williams is 18, white, and an orphan, all of which she has in common with her best friend, heiress Imogen Sokoloff--or does she? Jule, an impulsive, complicated protagonist like no other, tells her story as though she were living in an adventure movie. She imagines herself a heroine in contrast to the "great white hetero hero on his fucking epic journey." She's proud of her strength and fighting ability, her talents for disguises and imitating accents. Outside of her fantasy life, she feels inferior to practically everyone--Immie and her boyfriend, Forrest, as well as Immie's parents and friends from college. Starting the book with Chapter 18 and the instruction "Begin here," Jule traces a year backward, revealing startling secrets along the way. The fast-paced plot moves among New York, London, California, and Mexico as Jule stays one step ahead of those who've underestimated her skills. Jule's intense narrative frequently includes clipped snatches of dialogue with herself: "No, she had. / No, she hadn't. / She wished she had not. / She wished it could be undone." Her unsettling storytelling, filled with energy and a fair amount of violence, comes from deep inside her own mysterious background. This thriller from the author of We Were Liars (2014) will challenge preconceptions about identity and keep readers guessing. (Suspense. 12-adult)

    COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

  • School Library Journal

    June 1, 2017

    Gr 9 Up-Jule West Williams is at a fancy resort in Mexico. Someone is looking for her, but she can do a pretty stellar job of taking care of herself, paying a bartender to smuggle her out in his car, then fighting back when he tries to extort more money. That's where Lockhart's latest novel begins. Jule was recently in London. Her best friend, Imogen Sokoloff, is dead. There's a guy Jule likes but can't have. Jule steals wallets in Las Vegas, NV. The teen likes how strong she feels when she defends herself. Jule was in San Francisco. She has had just about enough of Immie's friends from Vassar. Jule was in Puerto Rico. The protagonist has a prodigious talent for memorization. Jule was staying at Immie's house in Martha's Vineyard. She was in New York. Jule is, above all else, a survivor. The narrative moves backward in time, constantly forcing readers to adjust their opinions of the characters and events and realign them in light of new information. While those familiar with The Talented Mr. Ripley may have a good idea of Lockhart's ultimate destination, they'll still enjoy the trip. The book rewards rereading, as initially inconsequential details shine brightly when you can see the whole picture. VERDICT An excellent choice recommended for teens and adults who love twisty mysteries, stories about class conflict, and tough-as-nails teen girls.-Stephanie Klose, School Library Journal

    Copyright 2017 School Library Journal, LLC Used with permission.

  • Booklist

    Starred review from June 1, 2017
    Grades 9-12 *Starred Review* It's difficult to describe Lockhart's latest psychological thriller without dipping into spoilers, but here are the pertinent details: Jule, a peripatetic, athletic, superhero-obsessed teen girl is best friends with rich, restless Imogen, who recently committed suicide. When readers meet Jule, she's lounging at a tony resort in Mexico, eating junk food, and enjoying the sun. It's clear she's on the run, though from whom or why isn't clear, and Lockhart strings readers along with a clever narrative gambit. In a clipped, detached tone, Lockhart tells Jule's story in reverse, and with each step backward, she peels away juicy layers of intrigue. As the relationship between Jule and Imogen comes into focus, Lockhart explores themes of jealousy, loyalty, privilege, and origins. Imogen, who was adopted, is fixated on the idea of feeling a strong sense of identity, while Jule constantly relies on an unlikely story to explain her childhood. But can they really know each other at all? It's a captivating, suspenseful story made all the more bewitching by Lockhart's twisty narrative, and she constantly keeps readers guessing with unpredictable turns and eye-opening reveals. This quietly unsettling, cinematic novel is deliciously suspenseful, and while it's slim, it packs a real punch. Teens who love to hate antiheroes will be enraptured. HIGH-DEMAND BACKSTORY: Best-selling Lockhart's getting a top-shelf marketing campaign, so be prepared for an onslaught of fans eager to get their hands on her latest.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

  • The Horn Book

    January 1, 2018
    In Lockhart's latest intoxicating thriller, eighteen-year-old protagonist Jule is cold, tough, and in trouble with the law, but displays an endearing softness as we learn about her friendship with wealthy Imogen, whom Jule misses dearly. As chapters descend in reverse chronological order, readers get breadcrumb-like pieces to the puzzle of why Jule is running, what happened with Imogen, and what makes the intricately drawn anti-heroine tick.

    (Copyright 2018 by The Horn Book, Incorporated, Boston. All rights reserved.)

  • The Horn Book

    Starred review from September 1, 2017
    As soon as Lockhart's latest intoxicating psychological thriller (We Were Liars, rev. 5/14) opens in Cabo San Lucas, Mexico, readers will be perversely enamored of eighteen-year-old narrator Jule. She's cold--sociopathic, even--and in trouble with the law, but a sexy lead. She's strong and tough enough to defend herself (and then some), intelligent, and intuitive; a feminist who contemplates gender persecution in society and in the hero tales she thinks herself worthy of: "women were rarely the centers of such stories...they were eye candy, arm candy, victims, or love interests...they existed to help the great white hetero hero on his fucking epic journey." And Jule shows an endearing softness as we learn about her friendship with beautiful, wealthy Imogen, whom Jule misses dearly. To say more would give away too much. However, as chapters descend in numerical order and reverse chronology, it becomes increasingly clear that Jule is an unreliable narrator the deceptive likes of which many readers won't be prepared for. With each subsequent chapter and new globe-spanning setting, readers get breadcrumb-like pieces to the puzzle of why Jule is running, what happened with Imogen, and what makes the intricately drawn anti-heroine tick. The appended note lists many inspirations for the novel, among them: "Victorian orphan stories," "superhero comics," "stories of class mobility," and a few specific books, including Patricia Highsmith's The Talented Mr. Ripley. Indeed, "particular debt" is owed to Highsmith, but Lockhart's command of structure, pacing, atmosphere, and character are accomplishments all this author's own. katrina hedeen

    (Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)

  • The Horn Book

    September 1, 2017
    As soon as Lockhart's latest intoxicating psychological thriller (We Were Liars, rev. 5/14) opens in Cabo San Lucas, Mexico, readers will be perversely enamored of eighteen-year-old narrator Jule. She's cold--sociopathic, even--and in trouble with the law, but a sexy lead. She's strong and tough enough to defend herself (and then some), intelligent, and intuitive; a feminist who contemplates gender persecution in society and in the hero tales she thinks herself worthy of: "women were rarely the centers of such stories...they were eye candy, arm candy, victims, or love interests...they existed to help the great white hetero hero on his fucking epic journey." And Jule shows an endearing softness as we learn about her friendship with beautiful, wealthy Imogen, whom Jule misses dearly. To say more would give away too much. However, as chapters descend in numerical order and reverse chronology, it becomes increasingly clear that Jule is an unreliable narrator the deceptive likes of which many readers won't be prepared for. With each subsequent chapter and new globe-spanning setting, readers get breadcrumb-like pieces to the puzzle of why Jule is running, what happened with Imogen, and what makes the intricately drawn anti-heroine tick. The appended note lists many inspirations for the novel, among them: "Victorian orphan stories," "superhero comics," "stories of class mobility," and a few specific books, including Patricia Highsmith's The Talented Mr. Ripley. Indeed, "particular debt" is owed to Highsmith, but Lockhart's command of structure, pacing, atmosphere, and character are accomplishments all this author's own. katrina hedeen

    (Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)

  • Karen M. McManus, bestselling author of One of Us Is Lying "A brilliant, twisty thriller--I loved it!"
  • HelloGiggles.com "Fans of E. Lockhart's We Were Liars will love this . . . and definitely won't see the ending coming."
  • Justine Magazine "Tangled secrets, diabolical lies and, ultimately, a mind-blowing outcome are crafted with the plotted precision we expect (and love!) from E. Lockhart."
  • Vanity Fair "The coming-of-age plot and complicated friendship between its two main characters make Genuine Fraud seem like it could be Girls for a younger set."
  • The Guardian "A sophisticated, emotionally literate whodunit."
  • Chicago Tribune "As with E. Lockhart's previous novel, the bestselling We Were Liars, [readers] will likely finish the last page and flip right back to the beginning to search for clues they missed."
  • Bustle "If there are two things you can count on E. Lockhart for it's badass ladies and killer atmosphere--Genuine Fraud has both in droves."
  • PW, Starred Review "A bracing pace, a slew of far-flung locations, and a storyline that runs mostly in reverse will keep readers on their toes, never entirely sure of what these girls are responsible for or capable of."
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    Random House Children's Books
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